Hannu is back!

Hello Everyone and great to be back to announce one hell of a great info!

Hannu Lepistö is coming back with a new single! The main song will be entitled “Damn Little Devil You” with an extra song called “On Eggshells” as a B-side.
The premiere of the single is set on December 11th 2015.

Personally I can’t wait to hear those tunes!


On Eggshells


Damn Little Devil You


Unzyme “Override” – REVIEW

Over 4 years of waiting. They released their debut album back in 2010. 3 people in one promising band – Unzyme.
Over 4 years of waiting for the second album. Waiting – with hopes and fears.
I was hoping for progression. I feared that “Override” will be just as the first album. It’s nothing bad about it, but still I feared that they will remain in the point from which they started.
I wished for evolution of the music, the enlargement of the lyrics and advancement of the band itself. Now I can say my fears were unneeded. Unzyme met all my expectations.

I decided to take a listen with mixed feelings. I also decided to take notes while listening to the songs one by one, to describe my thoughts in the present time.
1. Relay (3:27).
I was lucky to hear few songs in their demo versions and this one was one of the first ones. I was positively surprised how the music grew from a simple plan to the final version. The lyrics came its long way smoothly from a clean idea to a story that fits the band’s style.

2. Step outside (3:46).
This song is simply hypnotizing. If anyone is desperately looking for this magical place where music meets the lyrics – you don’t have to search any longer. This is the point of perfection. I was a tiny bit disappointed that it’s only the second song of the album, but my heart is smiling now. I used to focus on music background or on the lyrics, forgetting the other part. Here I hear everything as one. It’s very rare to create such gem.

3. Mother of all bombs (3:02).
Have you ever thought about mixing electronic music, meaningful lyrics and rocking sound? Impossible? Nope. It’s like mixing tastes and scents. You have to be a master chef in the kitchen to to things like that. Mixing styles that at once don’t fit in music, you have to be genius-minded. Here’s where you find this beautiful mind.

4. Sinking in the past (3:40).
This song is one of the best surprises on the album. While listening I thought like I’ve heard this before. And I don’t mean the demo. The final album version of the song reminds me of something. It’s not the feeling you get nowadays where everyone is coping everybody. It’s like a melody you had in your head for so long and finally you hear it for real. Unzyme definitely know how to perfectly connect electronical music with soft pianos and vibrating vocals.

5. Don’t accept your fate (3:06).
What else can I say? Do I hear cello? Or is it double bass? Violin maybe? My first thought was “Really guys? How could you molest my head like that? Is it even legal?”.
I used to be a major rock fan. Other styles were tolerated. And then Unzyme happen.
If you don’t believe musical miracles – you better do now.

6. I can’t stand this silence (2:51).
And here comes my fears. First tones of the song sounded like it’s going to be plain pop-ish song. But this fear lasted no longer than a neutron impulse. Joona made it sound like a proper and serious successor of Neil Tennant. The song brings me straight into the future of the style. Pet Shop Boys would be proud! The song is smashing!

7. Faces I knew (3:45).
Now that’s the music I like. Gentle vocals of Joona’s deep voice complement the music and create ensemble that is a real pleasure for the listener. That’s what I expected from this album. Wise words in song-lyrics, great not-disturbing music and the vibe. It’s hard to say anything more when you find something that speaks for itself.

8. Bad old times (4:26).
Have you ever felt hypnotized by an old music box from your childhood? I felt like I found that sort of music box in an old abandoned house. When it starts playing I can feel the air filled with dust flowing through my hair. Air brings old photos right in my hands. Dust sparkles in the dim light from the windows…
I might not mean the lyrics the way its author did but it feels magical. And i love to be tackled in my creativity spot!

9. Which way (3:32).
This is the first time I hear this song, so it’s like discovering new places.
I wanna applause to Unzyme again. I can strongly feel the inspiration of PSB, but totally in Unzyme style. I need to be on a gig where this song is played – I’ll be the first one dancing!!!
The biggest mystery of the album – the biggest shock! Can I clap my hands now?

10. Thought of decay (4:59).
So far my only lullaby was sung by The Cure. The list must be extended to this song as well. Lyrics are my kind of sad and moody. Music sooth me after a long day and after a great album that made me wanna move. Having this song as the closing chapter of “Override” is ideal.

To make long story short. Listening to the “Override” album was a pure pleasure not only for me – waiting few years on it, but especially for my ears. All my fears go away now, when I know how amazing it is. I started with a worried mind with a vision of a band that is not evolving. Now I wanna punish myself for how I could even think like that? It’s been a long way in time with a lot of bad and good stuff on the way. It’s shown in this 36-minutes-long album.

It was worth it. It was definitely worth it.

And now the squirrel goes dancing…

Jaani Peuhu “Tear Catcher” – REVIEW

"Tear Catcher" album cover

“Tear Catcher” album cover

The album starts with a song entitled “Lifelines” that at first makes me think about an A-ha song with the same title. But Jaani’s version is – I have to admit it even as a big A-ha fan – more enchanting with it’s drums and dark melody. In addition lyrics sound like an underwater sirens completely catching the attention of the audience.

The second track is sharing the title with the album (“Tear Catcher”) is more powerful. Drums are getting stronger, and Jaani’s voice is getting louder. You can close your eyes and you will hardly notice the break between this song and the one that comes right after it, which is “My Sky”. Both makes your heart skips a few beats to synchronize to the drums. To the weak hearted – it may cause a little heartache, although those who are great dark wave and synth pop fans are going to loose themselves in this hypnotizing sounds.

The fourth song on the album is slower one called “I Believed”. Compared to anything else it’s like a listener decided to take a slow walk after few minutes of intense running. After three Iconcrash albums, Jaani Peuhu shows that he definitely knows how to make a synth pop ballad with an deep dark wave background.

“Unspoken Loss” starts with a heartbeat-alike sound that goes straight into your head – mind wearing in-ear headphones here! The song with Jaani’s vocals will take you from where you are into a place with a perfect acoustics.

“Mercy Kiss” might sound a little disturbing at first but not even after half a minute the song makes you wanna move. Personally it almost made me dance even though I don’t know any dance moves.

The second half of the album starts with the song “Maybe God Is Asleep”. It begins as an acoustic song while after a minute you can finally hear the melodic background to the guitar. In opposition to the first songs on the album, this one is the relaxing vibe to the previous notes.

Once you are calmed and relaxed, there comes “Follow me”. You can hear slightly exotic note within this song. In my head it created few visions of Asia once I decided to close my eyes.

After “Follow Me” there comes “No Regrets”. It surrounds with dark mixture of sounds and vocals like a voile of wondering what was the inspiration to the author. Even though to me it almost caused a headache, I have to admit that it’s mystery attracts like a magnet, even if I try to get away from it. Calm ending makes my heart slow down to a normal tempo and makes me feel like a rabbit running away from a hunter. Weird feeling but it fits the album’s atmosphere more than greatly.

The tenth song is “Did You Ever?” that prolongs the exotic Asian feeling inside me. Personally I think it’s the most magical song on the album. It calms me down and scares me. In makes me feel good and bad at the same moment.

“Desire” is the closing song on the “Tear Catcher” album. It feels like the author is going back to the beginning of it. The tension is building up as the drums are resounding. As Janni’s vocals reverberate – the desire is growing bigger and bigger while the melody gets darker and darker. It’s the longest song on the 11-songs Jaani Peuhu album and it’s definitely the darkest of all.

In summary, the album consists of eleven tracks of dark wave and synth pop atmosphere. Recorded for nearly three years in many places in Europe and around the world. The album was honed by both International producers as well as by the author himself in smallest details.

Lyrics are – as in the nature of Janni Peuhu – deep, and each track has its own individual story in the background. The songs can be listened to by fans individually, but also together as a unified work form a complete picture. On one hand, the songs are like the components of a larger whole, but on the other hand, it does not take away their own individuality.


Jaani Peuhu – “Tear Catcher”
1. Lifelines 5:12
2. Tear Catcher 4:15
3. My Sky – Single Version 3:43
4. I Believed 4:42
5. Unspoken Loss 6:06
6. Mercy Kiss 3:30
7. Maybe God Is Asleep 3:48
8. Follow Me 3:46
9. No Regrets 5:13
10. Did You Ever? 5:47
11. Desire 7:23
Whole album length: 52:55

This is the end…

Dear followers, readers, friends!

I’ve made one of the hardest decisions in my life.
I’ve decided to end Crack In Reality blog by December 31st 2014.
I will not delete this website though. I believe it would be a shame for all the things I did here. So people will still be able to come over and read 🙂
I’m not going to write anything new unfortunately. As I’m on my own, and have many other things to focus on, I won’t have enough time for blogging. I regret that, because I truly love this place. Although I need to find a job to start earning money and it’s not that simple. About June/ July I might start my own company if I won’t succeed at finding a place to work since then. I also need to focus more on writing books. Because so far there’s always something distracting me from writing and so I could not concentrate on what is so important to me since time immemorial.
I hope you had a blast reading this blog since its beginning.
And remember. A goodbye is never a true goodbye. It’s never forever.
If I will ever be asked to write something new, I will do my very best to do that
But as for now, I wish you a happy, joyful and filled with music New Year!!
Love you all,
~ Izzy

Positive attitude, music passion and a great vision for the future – an interview with a man behind the FEEXER

First of all tell me, who is Feexer? Who is hiding behind this artistic name?
Behind Feexer there is Manuel, Italian and 33-year-old. I would like to define me as a songwriter or musician, but as you know modern artists also need to be audio engineers, producers and managers (and many other things!) at the same time. So, being an Indie artist living in 2014, I’m supposed to be a very polyhedric person. I just hope I am.

Now when I know the background of the name tell me please, when and how you’ve decided to create music? Was it a spontaneous decision or did you plan it step by step?
I’ve been playing my own music since I was 13, so that’s always been a fundamental part of my life. I played in many bands and I was the singer of a very interesting project in which I was involved for 7 years. I’m though not interested in talking about the past. Feexer was born after a few years of total inactivity, when my life reached a certain stability (after getting married with my marvelous wife) that allowed me to look at music with new eyes. A few weeks later “Everything”, the future first track of the EP, was ready. It was totally unexpected, but I suddenly felt that that song was going to represent a new beginning.

What do you think is a bigger power in music business: fan base and an artist going out to the audience or big labels, managements and artists being seen as “the golden calf”? How do you see the situation in the music business?
The world is changing so fast. Music is changing even faster. But I think it would be pointless to concentrate our attention only on the crisis of music business as we imagined it. Technology is allowing a huge amount of independent artists and bands to reach the global audience, so this immense expansion of music offer is clearly one of the reasons why we can’t be all considered as “the golden calf” and we all have to struggle so much to emerge. So if you’re an Indie artist the only thing to do is to produce your music at best and to try to reach a small and specific slice of the audience that can really and deeply appreciate your music. Being aware that many very good Indie artists outside there deserve a lot of attention as well.

Are you determined to become as successful and recognizable as Zucchero for example? Or maybe you’re focusing on the local, national audience?
This one makes me smile a bit, as Zucchero is definitely one of those mainstream Italian artists that are a thousand miles from what an independent producer of alternative music would like to become nowadays. I didn’t know that Zucchero was so famous in Poland, that’s very interesting. Talking about Feexer, this project is definitely focused on the international audience. My only objective is to try to be recognized as a decent artist, that’s all.

Minding the big stars, you must have inspirations in your work. Who gives you ideas in creating music? Is it someone from your homeland or from outside of Italy?
Sincerely, I rarely listen to Italian music. I think I’m inspired by many different artists. Radiohead, Fink, A Perfect Circle, Nero. I also like to use apps like Spotify and Deezer in random mode without even knowing who is the artist playing in that precise moment.

Tell me something about where you come from. What does it mean today to be an artist in and from Italy?
I live with my wife and my newborn son in a small city called Modena, in Northern Italy. This part of Italy was particularly interesting during the 90s, when there was a great attention for alternative music in general and many big international artists were used to include my city in their tours. Right now it’s not exactly the “place to be” if you’re an Indie artist trying to get some attention from the global audience, but I don’t care. I consider my city as the place where I want my son to grow up. It’s a peaceful place and it’s my headquarter. Europe is Feexer’s main target at the moment.
At the end of July 2014 you’ve released your EP “Diamonds and Defects”. Tell me how the works on this material were going? How did you feel about it? And of course what you wanted to achieve with the album itself. Tell me something about the message it has to you.
As I told you, after “Everything” I suddenly realized that I was really happy with what I produced in a few weeks. So I decided that the first objective would have been a 5-tracks EP in order to properly evaluate the audience’s reaction. After 10 months spent in my home-studio, the EP was released on July 28th of July 2014 with worldwide digital distribution and in less than 3 months I received an amazing feedback from the online audience, with thousands of plays and thousands of people adding Feexer on the social networks. That’s marvelous. I feel now that the experiment is not a simple experiment anymore. Concerning the message of “Diamonds and Defects EP” and its lyrics, I think that, briefly, the whole work is concentrated on telling people not to get used to life, to always try to get deeper and to never surrender, accepting our limits but not turning our habits into our lives.

What are your plans for the nearest future? Gigs? Recordings? And if the recordings then what is it going to be: second EP or a long play?
I just officially announced that Feexer’s debut album will be released in 2015, probably between September and November. I’m quite excited about it. Right now I do not have enough songs ready in order to play a decent gig, so the project will start touring right after the album release. Luckily, I know a lot of talented and professional artists, so I can’t wait to start touring Europe with Feexer’s band involving many good friends of mine.

Do you plan to record your further material on your own or are you thinking about signing a contract with one of the labels?
I will update you and all the fans about the crowdfunding campaign that I will launch in order to fund my debut album very soon. I will also announce which is the crowdfunding platform I’m going to chose. It will be amazing: fans will be able to become executive producers of my first full-length work and two pages of the album’s artwork will be dedicated to all the people who will decide to contribute to the cause this way. I really believe that this direct involvement of fans is a turning point for a lot of projects far from the mainstream world as mine is. It’s so great to think that the audience has now the possibility to help good artists producing their works this way. I didn’t contact any label, I think this project will stay Indie.

What do you think about live performances? Did you have such experiences already?
I played live in the past with other bands in Italy and abroad for many years and I think that live performances are a wonderful experience, both for the artist and for the fans. That intensity and complicity is unreachable just listening to a CD or to a track on SoundCloud. Feexer is though mainly a studio project, so I will not try to create my fanbase playing live. Touring will follow albums releases.

And finally, what would you wish for if you ever catch a goldfish?
I wish there was peace everywhere in the world. I really mean it. Music will always be there, but that is far more important.

Thank you for your time.
Thank you very much.